top of page
Search
  • Writer's pictureAdmin

CHUCK BERRY – THE REVOLUTIONARY WHO LED THE SOUND OF ROCK N ROLL

John Lennon once said,”If you tried to give Rock ‘n’ Roll another name, you might call it Chuck Berry.

Chuck Berry is considered by many as the “father of rock ‘n’ roll,” and remains one of the most popular and influential performers of rhythm-and-blues and rock ‘n’ roll music during the 1950s, ’60s and ’70s. He’s known for songs like “Johnny B. Goode” and “My Ding-a-Ling.”Born on October 18, 1926, in St. Louis, Missouri, Chuck Berry had early exposure to music at school and church. He began producing hits in the 1950s, including 1958’s “Johnny B. Goode,” and had his first No. 1 hit in 1972 with “My Ding-a-Ling.” With his clever lyrics and distinctive sounds, Berry became one of the most influential figures in the history of rock music.

 His parents, Martha and Henry Berry, were the grandchildren of slaves, and are among the many African Americans who migrated from the rural South to St. Louis in search of employment during the World War I era. Martha Berry was one of the few black women of her generation to gain a college education, and Henry Berry was an industrious carpenter as well as a deacon at the Antioch Baptist Church.

At the time of Chuck Berry’s birth, St. Louis was a sharply segregated city. He grew up in a north St. Louis neighborhood called the Ville—a self-contained middle-class black community that was a haven for black-owned businesses and institutions. The neighborhood was so segregated that Berry had never even encountered a white person until the age of three, when he saw several white firemen putting out a fire. ”I thought they were so frightened that their faces were whitened from fear of going near the big fire,” he once recalled. ”Daddy told me they were white people, and their skin was always white that way, day or night.”


BIRTH OF ROCK ‘N’ ROLL

In the mid-1950s, Berry began taking road trips to Chicago, the Midwest capital of black music, in search of a record contract. Early in 1955, he met the legendary blues musician Muddy Waters, who suggested that Berry go meet with Chess Records. A few weeks later, Berry wrote and recorded a song called “Maybellene” and took it to the executives at Chess. They immediately offered him a contract; within months, “Maybellene” had reached No. 1 on the R&B charts and No. 5 on the pop charts. With its unique blend of a rhythm and blues beat, country guitar licks and the flavor of Chicago blues and narrative storytelling, many music historians consider “Maybellene” the first true rock ‘n’ roll song.

Berry quickly followed with a slew of other unique singles that continued to carve out the new genre of rock ‘n’ roll: “Roll Over, Beethoven,” “Too Much Monkey Business” and “Brown-Eyed Handsome Man,” among others. Berry managed to achieve crossover appeal with white youths without alienating his black fans by mixing blues and R&B sounds with storytelling that spoke to the universal themes of youth. In the late 1950s, songs such as “Johnny B. Goode,” “Sweet Little Sixteen” and “Carol” all managed to crack the Top 10 of the pop charts by achieving equal popularity with youths on both sides of the racial divide. “I made records for people who would buy them,” Berry said. “No color, no ethnic, no political—I don’t want that, never did.”

In 1963, he continued writing and recording popular and innovative songs after a the second time he spent time in jail. His 1960s hits include “Nadine,” “You Can Never Tell,” Promised Land” and “Dear Dad.” Nevertheless, Berry was never the same man after his second stint in prison. Carl Perkins, his friend and partner on a 1964 British concert tour, observed, “Never saw a man so changed. He had been an easygoing guy before, the kinda guy who’d jam in dressing rooms, sit and swap licks and jokes. In England he was cold, real distant and bitter. It wasn’t just jail, it was those years of one-nighters, grinding it out like that can kill a man, but I figure it was mostly jail.”

Berry released his last album of original music, Rock It, to fairly positive reviews in 1979. While Berry continued to perform into the 1990s, he would never recapture the magnetic energy and originality that had first catapulted him to fame during the ’50s and ’60s.


ROCK AND ROLL HALL OF FAME

Berry still remains one of the genre’s most influential musicians. In 1985, he received the Grammy Lifetime Achievement Award. A year later, in 1986, he became the Rock and Roll Hall of Fame’s first inductee. Perhaps the best measure of Berry’s influence is the extent to which other popular artists have copied his work. The Beach Boys, the Rolling Stones and the Beatles have all covered various Chuck Berry songs, and Berry’s influences—both subtle and profound—pervade all of their music.

Introducing Berry at the Rock and Roll Hall of Fame, Keith Richards of the Rolling Stones said, “It’s very difficult for me to talk about Chuck Berry ’cause I’ve lifted every lick he ever played. This is the man that started it all!”



2 views0 comments
bottom of page